If it feels like everyone in the known universe has a blog, then that’s because they do – at least that’s the way it feels when you’re a writer. Whether you’re writing for fun or profit, blogs have now passed fad status and have acquired a kind of Internet stodginess.
But I like blogs. I like my blogs, and that’s where the challenge emerges. Amid everything else I do – facilitate a writers’ group, writing for local publications, working on my book proposal – my blogs just don’t get updated as often as I would like. In actuality, this probably isn’t anything I should lose sleep over. I doubt that people are standing around the water cooler in the morning saying, “Did you check Just Write today? She still hasn’t posted anything new!” I recently read that the average blog has one reader, which comforts or frustrates me, depending upon my mood.
Should writers bother with blogs? This debate, while nowhere near intensity of the “should writers ever write for free” question, is on the rise. It's a question that applies to all writers, not just those writing professionally. Blogs can serve many purposes – an online portfolio, a way to reach out to readers, a way to stay in touch with friends, a way to express your creativity. Instantaneously self-publishing our own work carries a whole host of pros and cons, but I think it boils down to a question central to all writing practices: does it work for you?
(Let’s just digress for a second and say that those who blog for a living and thus pay their rent by blogging have already answered this question. This is for everyone else.)
Does your commitment to a blog make you write? Is it something you enjoy writing, whether you have one reader, no readers, or a million? Are you happy with your blog – the way it looks, the way it reads? Then keep writing.
On the other hand, if keeping up a blog – be it once a month or once a day – has become a way to avoid other projects, or nothing more that the route posting of whatever crosses your mind, perhaps you should re-think blogging, at least as a way to aid your writing. We all know that the Internet can distract as well as aid us, and that includes blogs. Put your blog in perspective. And remember that when you publish your work on a blog, anyone can read what you’ve posted. Anyone. Make sure your blog is a positive reflection on you.
In my own case, I intend to keep blogging. I wish I knew how the successful writers I know manage to juggle all their projects and do daily blog updates. I suspect it’s a combination of writing shorter posts and writing faster. For me, blogging is a great way to exercise those writing muscles.
Do you blog? How has it helped or hindered your writing?
Monday, July 30, 2007
Monday, July 09, 2007
You Lucky Writer
Local author Jack Sheehan had me laughing out loud with his column in Sunday’s Sun, “How this getting words down on paper gig isn’t really all that bad, once you get past the first line.” For some reason, I assumed that authors of his standing – his list of published works is beyond impressive – didn’t get approached by literary panhandlers.
In case you’re a writer who hasn’t experienced this phenomena, let me just assure you that it’s only a matter of time before someone corners you with his Incredible Idea for a Bestseller that you, you lucky writer, can write for him, so that you can then share in the bountiful sales that his Truly Amazing story will generate. All you, you lucky writer, have to do is to agree to donate your time and talent for an unspecified amount of time to accurately transcribe the genius idea that the non-writer is just dying to share with you. Take my advice on this one and RUN AWAY. Make something up – if you’re a writer, this shouldn’t be too challenging. Tell the non-writer that you suffer from a highly contagious disease. Tell him that you eschew modern devices like computers in favor of writing everything by hand with an authentic quill pen. Tell him anything, but make sure that you are leaving the area when you toss off your pearls of wisdom. He won’t notice, anyway, because he’ll be scouting for the next Lucky Writer to corner.
Two major problems generally plague the arrangement that the non-writer seeks. First, the non-writer doesn’t want to pay you anything. Why should he put any money up front when his book is a certain bestseller? Aren’t you willing to eat dirt for a couple of years and live in a cardboard box so the non-writer can fulfill his dreams? You must not be visionary enough to see that his book will top every best seller list and make you both gazillionaires. Second, the non-writer hasn’t a clue as to how much time and work goes into a book. Once they’ve finished a first draft, these are the people who are appalled to hear that you must then edit your work. They’re also the same people who’ve never heard of writer’s guidelines, word counts, line editing, or any other detail associated with the business of writing. These are the pesky details that you, you lucky writer, will be handling. Telling this non-writer he needs 80,000 words for a novel is like me explaining trigonometry to my dogs: useless and frustrating.
What if you find the non-writer’s idea irresistible? If you do decide that you want in on his Incredible Idea, make sure to address a few key points:
--Insist on a deposit or some sort of up-front payment, even if it’s minimal. People rarely value anything they get for free, and that includes writing services. Agreeing to work for free on a project that can go on for years is a mistake you’ll regret.
--Get an agreement in writing that specifies EXACTLY what you’re going to do. Are you ghostwriting or co-writing? How will you be credited on the book’s cover? Will you be doing promotional work?
--Who makes the creative decisions? If your partner decides he wants three chapters in his children’s picture book devoted to his theories about JFK’s assassination, how will you handle it?
--What will happen if the author chooses to self-publish? Make sure to address this in your written contract. Since the whole idea is that you’re working for a share of revenue, what will happen if Putnam isn’t interested?
--Google your prospective writing partner. This can uncover all sorts of interesting details that he may have forgotten to tell you. You may discover that you’re not the first writer he’s approached.
You, you lucky writer, will feel much luckier if you’ve done your homework on these points. Better yet, why not just work on your own stories? I know you’ve got a bunch of them. Or how about writing about the non-writer and his idea? Sometimes these folks make great profiles or human interest stories. How about going for a different kind of relationship? You could tell him you’ll give him your best hourly rate for your services as a personal writing coach or editor. Or you could just smile and run away. Sometimes that’s the luckiest move of all.
___________________
Photo courtesy of Steve Woods at http://www.sxc.hu/profile/woodsy
In case you’re a writer who hasn’t experienced this phenomena, let me just assure you that it’s only a matter of time before someone corners you with his Incredible Idea for a Bestseller that you, you lucky writer, can write for him, so that you can then share in the bountiful sales that his Truly Amazing story will generate. All you, you lucky writer, have to do is to agree to donate your time and talent for an unspecified amount of time to accurately transcribe the genius idea that the non-writer is just dying to share with you. Take my advice on this one and RUN AWAY. Make something up – if you’re a writer, this shouldn’t be too challenging. Tell the non-writer that you suffer from a highly contagious disease. Tell him that you eschew modern devices like computers in favor of writing everything by hand with an authentic quill pen. Tell him anything, but make sure that you are leaving the area when you toss off your pearls of wisdom. He won’t notice, anyway, because he’ll be scouting for the next Lucky Writer to corner.
Two major problems generally plague the arrangement that the non-writer seeks. First, the non-writer doesn’t want to pay you anything. Why should he put any money up front when his book is a certain bestseller? Aren’t you willing to eat dirt for a couple of years and live in a cardboard box so the non-writer can fulfill his dreams? You must not be visionary enough to see that his book will top every best seller list and make you both gazillionaires. Second, the non-writer hasn’t a clue as to how much time and work goes into a book. Once they’ve finished a first draft, these are the people who are appalled to hear that you must then edit your work. They’re also the same people who’ve never heard of writer’s guidelines, word counts, line editing, or any other detail associated with the business of writing. These are the pesky details that you, you lucky writer, will be handling. Telling this non-writer he needs 80,000 words for a novel is like me explaining trigonometry to my dogs: useless and frustrating.
What if you find the non-writer’s idea irresistible? If you do decide that you want in on his Incredible Idea, make sure to address a few key points:
--Insist on a deposit or some sort of up-front payment, even if it’s minimal. People rarely value anything they get for free, and that includes writing services. Agreeing to work for free on a project that can go on for years is a mistake you’ll regret.
--Get an agreement in writing that specifies EXACTLY what you’re going to do. Are you ghostwriting or co-writing? How will you be credited on the book’s cover? Will you be doing promotional work?
--Who makes the creative decisions? If your partner decides he wants three chapters in his children’s picture book devoted to his theories about JFK’s assassination, how will you handle it?
--What will happen if the author chooses to self-publish? Make sure to address this in your written contract. Since the whole idea is that you’re working for a share of revenue, what will happen if Putnam isn’t interested?
--Google your prospective writing partner. This can uncover all sorts of interesting details that he may have forgotten to tell you. You may discover that you’re not the first writer he’s approached.
You, you lucky writer, will feel much luckier if you’ve done your homework on these points. Better yet, why not just work on your own stories? I know you’ve got a bunch of them. Or how about writing about the non-writer and his idea? Sometimes these folks make great profiles or human interest stories. How about going for a different kind of relationship? You could tell him you’ll give him your best hourly rate for your services as a personal writing coach or editor. Or you could just smile and run away. Sometimes that’s the luckiest move of all.
___________________
Photo courtesy of Steve Woods at http://www.sxc.hu/profile/woodsy
Tuesday, July 03, 2007
In Memory Of Jim Freund
I’m sad to report that one of my writing group’s former members has passed away. Over the weekend, I got the news that Jim Freund had a fatal heart attack and stroke this past May.
When I first met Jim in 2002, he had an idea for a novel – a very detailed, well-plotted idea. During our writer’s group meetings, Jim was brash but polite, keeping discussions lively with his feisty opinions. He always gave us a warning before reading any piece with blue language, which for Jim was most of his work. He had an innate sense of dialogue, and Jim’s characters talked like the truckers, soldiers, and con men they were. Jim completed his book, Tripwire, and opted to self-publish because he said he didn’t have time to mess around with the waiting game of conventional publishing. A born salesman, Jim was a tireless promoter of Tripwire, attending book conferences and calling up Norm Clark at the Las Vegas Review Journal to pitch his book.
Besides being a good writer, Jim was also an artist, a former car salesman, an avid golfer, and an incredibly proud grandfather – and that only scratches the surface. He had a wealth of great stories guaranteed to make you laugh, and a sharp mind that he used to beat the casinos’ games. I’m grateful I got the chance to know him, and saddened that he’s no longer with us. I hope that when he got to the pearly gates the angel said, “Jim, I hope you’re ready to tee off, because we have hundreds of golf courses just waiting for you!” That, I think, is a welcome he would enjoy.
When I first met Jim in 2002, he had an idea for a novel – a very detailed, well-plotted idea. During our writer’s group meetings, Jim was brash but polite, keeping discussions lively with his feisty opinions. He always gave us a warning before reading any piece with blue language, which for Jim was most of his work. He had an innate sense of dialogue, and Jim’s characters talked like the truckers, soldiers, and con men they were. Jim completed his book, Tripwire, and opted to self-publish because he said he didn’t have time to mess around with the waiting game of conventional publishing. A born salesman, Jim was a tireless promoter of Tripwire, attending book conferences and calling up Norm Clark at the Las Vegas Review Journal to pitch his book.
Besides being a good writer, Jim was also an artist, a former car salesman, an avid golfer, and an incredibly proud grandfather – and that only scratches the surface. He had a wealth of great stories guaranteed to make you laugh, and a sharp mind that he used to beat the casinos’ games. I’m grateful I got the chance to know him, and saddened that he’s no longer with us. I hope that when he got to the pearly gates the angel said, “Jim, I hope you’re ready to tee off, because we have hundreds of golf courses just waiting for you!” That, I think, is a welcome he would enjoy.
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